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Apenas uma previa do pandemônio:

Titulo: Cream Cracker
Banda:Obasquiat (Experimental/Free Jazz Group)
Album:
"Nous Voulons" (2014d.C)

Facebook:
www.facebook.com/Obasquiat

Discography download:
obasquiat.bandcamp.com/

1.Grim Reaper Buccanee 01:00

2.Finalmente Esse +® oTempo Perdido 05:22

3.Validol 03:06

4.Tersol 04:37

5.Mansongliesha 05:50

6.Vanitas 02:28

7.Pertussis 02:18

8.Eldorado (cabezas cortadas) 02:30

9.Pesadelo 06:01

10.Retrato Noiado 05:13

11.Hertz 03:36

12.Scumbgas 03:12

13.Nasturtium 04:16

14.7 melody's per cent ¢¢ (bônus track) (bonus) 16:48

"Pertussis"album (2015).

It arrived on earth the first album (official) of the project Obasquiat the result was crazy!
"Pertussis" is dedicated entirely to sincerely thank everyone who directly and indirectly contributed to the creation
The album consists of mixed sound collages the concept of this album is to demonstrate ideas, sounds and mixes of styles.
The use of various instruments in the compositions was a way of trying to generate a homogenous, in music there is an importance to the creation of something new (for that is always intended)
The process involved the collaboration of other projects from Brazil and other parts of the world.
This album has 13 tracks (each in its own way Kabbalistic) represents the closing of a cliclo and consequently the restart other with new ideas, objectives, contestations and searches for the absolute sound
The Introspective project "Obasquiat" the proposal also has to maintain a more intimate contact with poetry and prose (literature in general).
Influenced initially by the experimental music and noise the project now includes a new frontier, heading bases and improvisations more in line Free Jazz.
This direction was unusual for simple, idea of keeping more contact with the roots of african American Jazz and without forgetting the Brazilian rhythms rooted in Africa and arts seeking more the influence of surrealist and some influence of Dadaism.


About the name "Pertussis":

Pertussis, whooping cough or pertussis is a highly contagious and dangerous disease to children caused by Gram-negative bacteria, Bordetella pertussisuma.
Parapertussis disease (usually with lightest symptoms), which causes continuous and painful violent coughing.

credits

released October 15, 2015

Cover Art: Raphael Galdino+Obasquiat
Raphael Galdino is an artist and design lies in Divinópolis / MG (Brazil):

Where does the calm Ep

1.Death Whistle - 04:42

2.Baphomet -  03:15

3.Hopelessness Anguish -  06:44

4.Экспериментальная музыка -  03:54

5.Beatfromhell - 01:14

 

Eu sou um parágrafo. Clique aqui para adicionar o seu próprio texto e edit

Ep designed from the idea to seek new sounds (more dirty and heavy) this project was designed on the concept of seeking other and new influences pass through harsh noise, grindcore, stoner, punk. 
The project counts on participation of new musicians (giving another sound to the band). 
Yet all the tracks have been prepared in improvisation, spontaneous themes and ideas in just a two-hour section in studio, all recorded live!
New directions open new ideas arise always hope that will like the results 
All this creative process was carried out with consuming harmful substances and prohibited / legalized this was how this Ep is designed to the world in the middle of an orgy of drugs, noise, rum, marijuana and fraternizing friends! 
The basis of this was the active psychotropic much drugs, madness and noise!

credits

released 17 December 2014 

Bruno Buffon: voice and guitar 
Ton Noise: drums 
Jesus Noise Cremoso: noise effects,vocalization and circuit bend. 
Marco Antonio: bass,voice,vocalization and feedback noises. 
special guest 
Henrique Alves: guitar

 

Fragments#01

 

1.Trator de Merda (Os125+Bianca Galdino+Obasquiat) - 04:54

2.Tetrastigma (OLEO+Obasquiat) - 05:53

3."Dois" (Fernando Brescia+Obasquiat) - 06:28

4.Come and save me from the Solifugae Prison (Weareallslaves+Obasquiat) - 02:17

5."Dizziness" (Louis Michel Marion+Shirin+Obasquiat) -  04:09

6.Amidalas (Chademolusco+Obasquiat) - 08:12

7.“Codex Seraphinianus” (OLEO+Obasquiat) - 02:05

8.Casus Belli (Cascolatras+Obasquiat) - 03:04

9.Pachydermata (SolomonBass+Obasquiat) -  03:05

10.See Out/"Ceramic Noise" (Shirin+Obasquiat) -  06:50

11.TraumaZilla (Yuuko Haii+Heliodora+Obasquiat ) -  07:08

 

 

“Fragments”: 
Trabalho em colaboração com músicos/artistas de vários lugares do mundo. 
Esse trabalho foi divido em duas etapas/volumes (pelo simples fato de haver muito material produzido) o conceito principal do projeto era unificar e juntar idéias e músicos de vários lugares e estilos distintos. 
Inicialmente todo o projeto foi realizado de forma independente, contando apenas com recursos que cada artista/musico possuía no momento, o projeto engloba vários estilos que variam entre free jazz, experimental, noise rock, harsh noise e ambiente. 
Uma faceta interessante do projeto é o simples fato de que alguns músicos não chegaram nem a se conhecer pessoalmente (pela distancia geográfica) mas que através da linguagem universal (musica) conseguiram consolidar esse intercambio artístico. 
O trabalho foi divido em duas etapas nesse primeiro volume contamos com trabalhos dos seguintes projetos: 
Obasquiat (Brasil),OS125 (França),Bianca Galdino (Brasil),Fernando Brescia (Brasil),بغد اد‎‎ (Shirin) (Tunísia),Chademolusco (Brasil),Yuuko Haii. (Japão),Cascolatras (Brasil),“Immarion”-Louis Michel Marion (França),SolomonBass (Brasil),Heliodora (Brasil),OLEO (Orquestra Livre Experimental Orgânica) (Brasil)Weareallslaves (Servia). 
Todo o álbum é foi idealizado nesse ponto de vista que é buscar novas formas e texturas na musica na arte e pensando sempre de forma globalizada (unificando a todos) 
Espero que venha a gostar dos resultados. 

Ouça no volume máximo! 

Arte da capa: 
Filip Stojiljkovic (Servia): 
www.flickr.com/photos/117646337@N08/ 


"Fragments": 
Labour in collaboration with musicians / artists from around the world. 
This work was divided into two stages / volumes (for the simple fact that there is a lot of material produced) the main concept of the project was to unify and add ideas and musicians from different places and different styles. 
Initially the whole project was done independently, with only resources that each artist / musician possessed at the time, the project encompasses various styles ranging from free jazz, experimental, noise rock, harsh noise and ambient. 
An interesting facet of the project is the simple fact that some musicians have not come to know personally (by geographic distance) but through the universal language (music) managed to consolidate this artistic exchange. 
The work was divided into two stages in this first volume we work with the following projects: 
Obasquiat (Brazil), OS125 (France), Bianca Galdino (Brazil), Fernando Brescia (Brazil), بغد اد (Shirin) (Tunisia), Chademolusco (Brazil), Yuuko Haii. (Japan), Cascolatras (Brazil), "Immarion" Marion-Louis Michel (France), SolomonBass (Brazil), Heliodora (Brazil), OIL (Free Experimental Organic Orchestra) (Brazil) Weareallslaves (Serbia). 
  The entire album is was designed that point of view that is to seek new forms and textures in art and music always thinking of globalized form (unifying all) 
I hope you will like the results. 

Listen at maximum volume! 

Cover Art: 
Filip Stojiljkovic (Serbia): 
www.flickr.com/photos/117646337@N08/

credits

released 06 September 2014 

Participações/contribuições: 
Holdings / contributions: 
Obasquiat+OS125+Galdino+Brescia+Shirin+Chademolusco+Yuuko Haii+Cascolatras+Immarion+SolomonBass+Heliodora+OLEO+Weareallslaves 



Obasquiat (Brazil): 
freejazz.wix.com/obasquiat 

OS125 (France): 
lestsauvage.bandcamp.com 

Bianca Galdino (Brazil): 
soundcloud.com/bianca-galdino 

Fernando Brescia (Brazil): 
soundcloud.com/fernando-brescia 

بغد اد‎‎ (Shirin) (Tunisia): 
soundcloud.com/shirin-ny-ssan 

Chademolusco (Brazil): 
soundcloud.com/chademolusco 

Yuuko Haii. (Japan): 
sonichits.com/artist/Yuuko_Haii 

Cascolatras (Brazil): 
www.facebook.com/pages/Cascolatras/1409643095921635? 
fref=ts 

“Immarion”-Louis Michel Marion (France): 
soundcloud.com/lmmarion 

SolomonBass (Brazil): 
soundcloud.com/solomonbass 

Heliodora (Brazil) 
www.facebook.com/ATROS.INDUSTRIAL?fref=ts 

OLEO (Orquestra Livre Experimental Orgânica) (Brazil): 
soundcloud.com/o-l-e-o/sets 

Weareallslaves (Serbia): 
weareallslaves1.bandcamp.com/music

 

 

 

 

Fragments#02

1.This Lyndal Control is Fucked (Weareallslaves+Obasquiat) -  02:22

2.Sipping ( Deflection Pulley+Obasquiat) - 04:56

3.Dia da Semana Qualquer/完成 (Yoshihide Namasu+Bianca Galdino+Obasquiat) -  03:47

4.Grívien (METEK+Obasquiat) -  03:45

5."SLIDING" (Shirin+Fernanda Carinci+Obasquiat) -  09:06

6.The Clay Tablets (Shirin+OLEO +Obasquiat) - 13:01

7.Ad Hominem Per Litteras (Theo Nugraha +Obasquiat) - 06:12

8.Digital Earache (Deterioro Nervioso Irreversible+Obasquiat) - 03:27

9.Passa a Sacola (Cascolatras+Obasquiat) - 04:14

 

 

"Fragments": 
Working in collaboration with musicians / artists from around the world.
This is the result of the second work "Fragments" project would be divided into two stages / volumes, the sum of many other artists and musicians aggregated to the project, and this much material was being produced! 
The main concept of the project is still unify ideas, cultures, musicians, poets from various places and different styles. 
So this is another edition planned to close at 3 (three) volumes (thus forming the sharp mystical trilogy) 
Many other artists are expected. 
Initially it was designed by "Obasquiat" project carried out independently and raw, with only features that each artist / musician possessed at the time, the project encompasses various styles ranging from free jazz, experimental, noise rock, harsh noise and ambient. 
An interesting facet of the project is the simple fact that some musicians have not come to know personally (by geographic distance) but through the universal language (music) managed to consolidate this artistic exchange. 
The following work presents the following projects: 
Obasquiat (Brazil),Weareallslaves (Serbia),Deflection Pulley (Austria),Namasu Yoshihide (Japan),Bianca Galdino (Brazil),METEK (Sweden),  بغد اد -Shirin (Tunisia),Fermanda Carinci (Brazil) 
OLEO (Orquestra Livre Experimental Orgânica) (Brazil),Theo Nugraha (Indonesia),Deterioro Nervioso Irreversible (Argentina),Cascolatras (Brazil). 
The entire album is was designed that point of view that is to seek new forms and textures in art and music always thinking of globalized form (unifying all) 
I hope you will like the results. 

Listen at maximum volume! 

Cover art: 
Sachi Ikeda (Japan): 
www.i-m.mx/bakasachi/SACHI_IKEDA/works.html

credits

released 08 October 2014 

Sachi Ikeda (Japão): 
www.i-m.mx/bakasachi/SACHI_IKEDA/works.html 

Obasquiat (Brazil): 
freejazz.wix.com/obasquiat 

Weareallslaves (Serbia): 
weareallslaves1.bandcamp.com/music 

Deflection Pulley (Austria): 
soundcloud.com/deflection-pulley 

Yoshihide Namasu (Japan): 
www.i-m.mx/HCCWRecords/HccwRecords/home.html 

Bianca Galdino (Brazil): 
soundcloud.com/bianca-galdino 

METEK (Sweden): 
www.facebook.com/pages/Metek/190870351007999?fref=ts 

بغد اد‎‎ -Shirin (Tunisia): 
soundcloud.com/shirin-ny-ssan 

Fermanda Carinci (Brazil): 
www.facebook.com/fernanda.marques.1420?fref=ts 

OLEO (Orquestra Livre Experimental Orgânica) (Brazil): 
oleo-orquestralivreexperimentalorgnica.bandcamp.com 

Theo Nugraha (Indonesia): 
soundcloud.com/theonugraha 

Deterioro Nervioso Irreversible (Argentina) 
maxinoise.bandcamp.com 

Cascolatras (Brazil): 
www.facebook.com/pages/Cascolatras/1409643095921635?fref=ts

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